Discovering Dance – A Student’s Discovery of the Beautiful Art

Originally written on 12/06/2007 for an Experiencing Dance class at Western Michigan University

Personal Aesthetic Statement – 

I believe what I like about dance is it can be about anything and doesn’t always have to make sense to everyone. It can be something very personal.

I think a person can look at the movements of a dancer and see their emotions. These emotions might be that portrayed by the dancer, but also could be their own emotions because everyone can interpret something different about a dance.
I like Dance as a whole because I believe every part of a dance (the dancer, the music, the choreography, etc.) has something to do with what the whole idea of the dance is.
The thoughts on the dance of that of Martha Graham closely match my ideas of dance because it was her idea that dance begins with your idea and the movement makes you feel the emotion. She made dances about inner movements and what you did.
I feel like emotions can have certain movements to them that can be quickly realized.
Also, I feel that my personal aesthetic of dance has changed throughout the course because I was unaware of how in depth you can interpret dance and how dance can be sought of so differently by each individual.
I guess I never paid that much attention that one dance can spark many different thoughts. I remember at the beginning of class I said I liked dances with a lot going on. I have a better understanding of why I like dances such as this; it is because when I see a dance filled with a lot of variety I can think of many different emotions and thoughts of the dance.
I like dances that can have a lot to discuss or compare. I like to analyze things in my life. I have known this for a long time about myself, but I never really thought that would be why I like certain kinds of dance as well. I’m a very analytical person, and I like to find the key factors of why some things happened or happen. It is said as well that Accountants are very analytical, and like to find things like a detective. My major is Accounting.

I feel like I might interpret dance like a detective in a very analytical way; I always wonder what the key source or emotion of the dance is about.

 

More on Martha Graham: https://www.biography.com/people/martha-graham-9317723

Please note: Martha Graham is a true artist and not to be limited by the short, novice description noted in this piece of writing from a previous student’s perspective. I share the above link so that you can learn more about this artist’s great work.

Below is a choreography by Martha Graham – 

Paint Your Mona Lisa Dream

(Photo by Eric TERRADE on Unsplash)
It had long since come to my attention that people of accomplishment rarely sat back and let things happen to them. They went out and happened to things.” – Leonardo da Vinci
 
Paint a vivid picture and implant yourself in your Dream. What does it look like? 
What’s your Mona Lisa Dream? 

 

One of the first steps to dreams is to go beyond simply saying you will do something or be something at the surface level. It needs to run deep and truly be something you can visualize yourself doing and being. You want to paint a picture in your mind that’s as detailed as you can possibly imagine. Make your dreams a reality in your mind. Envision yourself living your dream. Imagine everything about yourself and also note who and what you are around. What’s different than your current life and what’s the same? Dream this as well. You want the Mona Lisa painting of your dream! What will this dream of mine look like in the most detail I can ever imagine? Paint a vivid picture (your Mona Lisa Dream) and implant yourself in it. Now look around, imagine, and create in the most intricate detail you can.
Some people do this by writing, talking, creative outlets such as vision boards, or a combination of these three or countless others. The key is to do whatever you need to do in order to paint the picture of your dream in your mind. There is no right or wrong way to do this. Everyone is different and that’s what makes us unique and in turn our dreams unique.
Now, when you paint your dream… please do not implant in your dream people who are criticizing you in your dream including yourself! This limits the detail and beauty you can create the first thing and you may not even get past the dream stage. Remove these barriers. Paint your dream (your Mona Lisa Dream) in detail without negativity.
Many people always say that you can get ahead of yourself with thinking too much. I certainly do not think this is the case in the beginning. There’s a fine line later on, but in the beginning… think with all your might, paint the Mona Lisa version of your dream and implant yourself in it. It’s later on that thinking will get the best of you. Start by creating your Mona Lisa Dream in vivid detail.
 
Create Lasting Inspiration, Confidence, and Enthusiasm while Sparking Creativity
 
Painting your Mona Lisa dream does a wonder on creating lasting inspiration, confidence, and enthusiasm. If you don’t do this level of dreaming or cannot do so, you stand a chance of easily moving onto the next dream instead of making anything a reality, giving into poor criticism that just isn’t true or negativity by those around you or yourself, and you simply have nowhere to turn back to once you hit a wall or a hard spot with your dreams. This painting will also spark creativity. It does so by allowing your mind to not be bound by the present (where your life lives without making your dreams a reality) or by negativity. It allows you to think with a fresh sheet of paper for your mind. You’ve created this and it is truly beautiful. The sheet of paper was blank before you dreamed and now it’s so lush of reality and beauty. So much so that you are confident and passionate about your dream entirely more than ever before this.
You have it in you to create…Remember this, always.
Paint your Mona Lisa Dream.
Hold your Dream in the Corner of your Mind left Untouched and Put Away but Easily Accessible
 
Now that you have painted your dream (your Mona Lisa Dream) and implanted yourself in it, you need to hold that dream in the corner of your mind left untouched and put away but easily accessible! This is the point where if you continue to think and think and think about your dream, you will hurt yourself. You still must pull your picture out, but it has to have a time and a place. Pull your painted dream out of the corner of your mind when you need to. You should regularly pull it out, but not so much that it overwhelms your ability to take action and make progress. Every person and even dream might differ in how much they can go back to their painting and dream stage. The key here is that you want to be able to make your dream a reality by creating action yet you still want that painting to fall back to in order to remind yourself of your dream and to keep you mentally fresh and creative.
Act and Plan and Be Open to Change
 
“I have been impressed with the urgency of doing. Knowing is not enough; we must apply. Being willing is not enough; we must do.” – Leonardo da Vinci
Now, you’re in the action phase. Start by making a plan, however, if you haven’t yet. Even if your plan is not all entirely fool-proof, you act. Then, perfect your plans, if needed. Be open to change. Take that picture you created (Your Mona Lisa Dream), and make it real, step by step.
Progress towards your dream.
 
There’s a reason the word act is before plan in the above. You must be open to change. Change involves taking action by tweaking your painting as you make your dreams become a reality. Please never lose sight of or throw away your original Mona Lisa. You pull it out when needed.
You enhance it, perfect it, and let its beauty shine through even more. Continue to work on your Mona Lisa Dream.
You can do it!
(Photo by Jared Erondu on Unsplash)